R. U. R.

'''Čapek, Karel. R. U. R.''' 1921 (Czech). First English edn., Oxford UP, 1923. Frequently rpt., including in Of Men And Machines, q.v. under Anthologies. Also, P. Selver, trans. Adapted for English stage by Nigel Playfair. Harry Shefter, ed. New York: Washington Square-Pocket Books, 1973 ("enriched" edn.). R.U.R. (Rossum's Universal Robots). Claudia Novack-Jones, trans. 1989. In Toward the Radical Center. Peter Kussi, ed. Highland Park, NJ: Catbird Press, 1990. Initial productions: 25 Jan. 1921, National Theatre, Prague; 9 Oct. 1922, Theatre Guild, Garrick Theatre, New York; 29 March 1923, Theatre am Kurfürstendamm, Berlin; April 1923, St. Martin's Theatre, London.

Play. Rossum's robots—"androids" in current terminology—take over because they are, in many ways, superior to humans. This play gave us the word "robot" (Czech for "worker"). Discussed in TMG in essays by W. Schuyler and B. Bengels (see under Literary Criticism). For textual issues, see M. Abrash, "R.U.R. Restored and Reconsidered," cited under Literary Criticism. R.U.R. was revived in the summer of 2000 by Jerome Guardino for Lonny chapman's Group Repertory Theater in the Los Angeles area; rev. Steven Leigh Morris, "Theater," LA Weekly for 7-13 July 2000, who distinguishes "robot" from "android" and rather neatly typifies the play as a 1920s "exotic variation on Frankenstein, a hybrid of Strindberg's symbolism and Jules Verne's whimsy" (41).

Images featuring robots from various early productions — along with the robot from METROPOLIS and more obviously irrelevant images — can be found online in a search for "R.U.R." images. (Our thanks to J. J. Pierce for pointing out these old production photos.)

For quick reference, the excellent photo with the Wikipedia entry is here.

{RDE, rev. 6Nov15, minor edit 20Sep18, photo link 25Jan20}