Difference between revisions of "Videology (in SF film)"
From Clockworks2
Jump to navigationJump to search| Line 1: | Line 1: | ||
'''Stewart, Garrett. "Videology."''' In ''Shadows of the Magic Lamp: Fantasy and Science Fiction in Film''. George SLusser and Eric S, Rabkin, eds. Carbondale, IL: Southern Illinois UP, 1985. [[Category: Drama Criticism]] | '''Stewart, Garrett. "Videology."''' In ''Shadows of the Magic Lamp: Fantasy and Science Fiction in Film''. George SLusser and Eric S, Rabkin, eds. Carbondale, IL: Southern Illinois UP, 1985. [[Category: Drama Criticism]] | ||
| − | Video and film used for control in dystopian films: | + | Video and film used for control in dystopian films, drawing attention to what J. P. Telotte notes as "omnipresent video screens, computer terminals, holographic forms, and mass media images."[https://tinyurl.com/y9ohe22b] An important essay in an important critical anthology. |
Latest revision as of 01:00, 22 October 2017
Stewart, Garrett. "Videology." In Shadows of the Magic Lamp: Fantasy and Science Fiction in Film. George SLusser and Eric S, Rabkin, eds. Carbondale, IL: Southern Illinois UP, 1985.
Video and film used for control in dystopian films, drawing attention to what J. P. Telotte notes as "omnipresent video screens, computer terminals, holographic forms, and mass media images."[1] An important essay in an important critical anthology.
