Difference between revisions of "65 (film)"
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SF survival/quest film, relevant here for the object of the quest's being an escape shuttle and for images of not exactly "[[The Machine in the Garden|a machine in a garden]] but the hulk of a spacecraft in a very-late Mesozoic/Cretaceous forest. Throughout the film, we have a totally-human-looking humanoid in that forest trudging through carrying some sophisticated high-tech; later in the film, the girl he is with creates her own weapon from what looks like a huge tooth and the juice of a poisonous plant (cf. and contrast Moon-Watcher and the bone weapon in [[2001: A SPACE ODYSSEY (film)]] and novel. | SF survival/quest film, relevant here for the object of the quest's being an escape shuttle and for images of not exactly "[[The Machine in the Garden|a machine in a garden]] but the hulk of a spacecraft in a very-late Mesozoic/Cretaceous forest. Throughout the film, we have a totally-human-looking humanoid in that forest trudging through carrying some sophisticated high-tech; later in the film, the girl he is with creates her own weapon from what looks like a huge tooth and the juice of a poisonous plant (cf. and contrast Moon-Watcher and the bone weapon in [[2001: A SPACE ODYSSEY (film)]] and novel. | ||
| + | Final images show highly positive containment with the two protagonists in the high-tech "mechanism" of a space shuttle, moving upward toward rescue, while asteroids smash into Earth and a huge one comes in that will end the epoch of the dinosaurs and give a chance to our mammalian ancestors. | ||
| − | RDE, finishing, | + | |
| + | RDE, finishing, 24/25Mar23 | ||
[[Category: Drama]] | [[Category: Drama]] | ||
Latest revision as of 11:59, 25 March 2023
65. Scott Beck and Bryan Woods, directors, script, producers (two of five, including Sam Raimi). Kevin Ishioka, production design.[1] USA: Columbia, Raimi Productions, Beck/Woods, et al. (production) / Sony Pictures Releasing (distribution), 2023.[2] 93 minutes.[3]
SF survival/quest film, relevant here for the object of the quest's being an escape shuttle and for images of not exactly "a machine in a garden but the hulk of a spacecraft in a very-late Mesozoic/Cretaceous forest. Throughout the film, we have a totally-human-looking humanoid in that forest trudging through carrying some sophisticated high-tech; later in the film, the girl he is with creates her own weapon from what looks like a huge tooth and the juice of a poisonous plant (cf. and contrast Moon-Watcher and the bone weapon in 2001: A SPACE ODYSSEY (film) and novel.
Final images show highly positive containment with the two protagonists in the high-tech "mechanism" of a space shuttle, moving upward toward rescue, while asteroids smash into Earth and a huge one comes in that will end the epoch of the dinosaurs and give a chance to our mammalian ancestors.
RDE, finishing, 24/25Mar23
