https://www.clockworks2.org/wiki/index.php?title=Kubrick%27s_2001:_A_Triple_Allegory&feed=atom&action=history Kubrick's 2001: A Triple Allegory - Revision history 2024-03-29T13:06:42Z Revision history for this page on the wiki MediaWiki 1.32.1 https://www.clockworks2.org/wiki/index.php?title=Kubrick%27s_2001:_A_Triple_Allegory&diff=19209&oldid=prev Erlichrd at 01:43, 10 August 2023 2023-08-10T01:43:39Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 01:43, 10 August 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Wheat, Leonard F.  ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Wheat, Leonard F.  ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on [[2001: A SPACE ODYSSEY (film)]], with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory,&quot;  &quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''[[Childhood's End]]'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''Lost Worlds of 2001'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''[[The Making of Kubrick's 2001]]''. <del class="diffchange diffchange-inline"> </del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on [[2001: A SPACE ODYSSEY (film)]], with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory,&quot;  &quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''[[Childhood's End]]'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''Lost Worlds of 2001'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''[[The Making of Kubrick's 2001]]''.</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Rev. Andrew Gordon, &quot;Kubrick's 2001,&quot; ''SFRA Review'' #249 (Nov./Dec. 2000): 12-13 (as of 9 August 2023, not available [for free] on line).  </ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation.  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation.  </div></td></tr> </table> Erlichrd https://www.clockworks2.org/wiki/index.php?title=Kubrick%27s_2001:_A_Triple_Allegory&diff=19208&oldid=prev Erlichrd at 01:36, 10 August 2023 2023-08-10T01:36:52Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 01:36, 10 August 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">[[</del>Wheat, Leonard F.<del class="diffchange diffchange-inline">]] </del> ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Wheat, Leonard F.  ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on [[2001: A SPACE ODYSSEY (film)]], with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory,&quot;  &quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''[[Childhood's End]]'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''<del class="diffchange diffchange-inline">[[The </del>Lost Worlds of 2001<del class="diffchange diffchange-inline">]]</del>'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''[[The Making of Kubrick's 2001]]''.   </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on [[2001: A SPACE ODYSSEY (film)]], with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory,&quot;  &quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''[[Childhood's End]]'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''Lost Worlds of 2001'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''[[The Making of Kubrick's 2001]]''.   </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation.  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation.  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">(</del>RDE, 28/05/01<del class="diffchange diffchange-inline">)</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>RDE, 28/05/01<ins class="diffchange diffchange-inline">; finishing, 9Aug23</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">[[Category:Wheat, Leonard F.]]</del></div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Literary Criticism]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Literary Criticism]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Drama Criticism]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Drama Criticism]]</div></td></tr> </table> Erlichrd https://www.clockworks2.org/wiki/index.php?title=Kubrick%27s_2001:_A_Triple_Allegory&diff=19207&oldid=prev Erlichrd at 01:34, 10 August 2023 2023-08-10T01:34:51Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 01:34, 10 August 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Wheat, Leonard F.]]  ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Wheat, Leonard F.]]  ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on [[2001: A SPACE ODYSSEY (film)]], with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory,&quot;  &quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''[[Childhood's End]]'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''[[Lost Worlds of 2001]]'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''[[The Making of Kubrick's 2001]]''.   </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on [[2001: A SPACE ODYSSEY (film)]], with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory,&quot;  &quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''[[Childhood's End]]'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''[[<ins class="diffchange diffchange-inline">The </ins>Lost Worlds of 2001]]'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''[[The Making of Kubrick's 2001]]''.   </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation.  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation.  </div></td></tr> </table> Erlichrd https://www.clockworks2.org/wiki/index.php?title=Kubrick%27s_2001:_A_Triple_Allegory&diff=19206&oldid=prev Erlichrd at 01:34, 10 August 2023 2023-08-10T01:34:11Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 01:34, 10 August 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Wheat, Leonard F.]]  ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Wheat, Leonard F.]]  ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on [[2001: A SPACE ODYSSEY (film)]], with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory,&quot;  &quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''Childhood's End'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''Lost Worlds of 2001'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''The Making of Kubrick's 2001''.   </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on [[2001: A SPACE ODYSSEY (film)]], with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory,&quot;  &quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''<ins class="diffchange diffchange-inline">[[</ins>Childhood's End<ins class="diffchange diffchange-inline">]]</ins>'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''<ins class="diffchange diffchange-inline">[[</ins>Lost Worlds of 2001<ins class="diffchange diffchange-inline">]]</ins>'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''<ins class="diffchange diffchange-inline">[[</ins>The Making of Kubrick's 2001<ins class="diffchange diffchange-inline">]]</ins>''.   </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation.  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation.  </div></td></tr> </table> Erlichrd https://www.clockworks2.org/wiki/index.php?title=Kubrick%27s_2001:_A_Triple_Allegory&diff=8014&oldid=prev Erlichrd at 02:50, 18 October 2017 2017-10-18T02:50:42Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 02:50, 18 October 2017</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l9" >Line 9:</td> <td colspan="2" class="diff-lineno">Line 9:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Wheat, Leonard F.]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Wheat, Leonard F.]]</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Literary Criticism]]<del class="diffchange diffchange-inline">[</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Literary Criticism]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Drama Criticism]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Drama Criticism]]</div></td></tr> </table> Erlichrd https://www.clockworks2.org/wiki/index.php?title=Kubrick%27s_2001:_A_Triple_Allegory&diff=8013&oldid=prev Erlichrd at 02:50, 18 October 2017 2017-10-18T02:50:19Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 02:50, 18 October 2017</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Wheat, Leonard F.]]  ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Wheat, Leonard F.]]  ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on [[2001: A SPACE ODYSSEY (film)]], with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory,&quot;  &quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''Childhood's End'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''Lost Worlds of 2001'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''The Making of Kubrick's 2001''.  CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation. (RDE, 28/05/01)</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on [[2001: A SPACE ODYSSEY (film)]], with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory,&quot;  &quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''Childhood's End'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''Lost Worlds of 2001'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''The Making of Kubrick's 2001''.   </div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation.  </div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>(RDE, 28/05/01)</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Wheat, Leonard F.]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Wheat, Leonard F.]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Literary Criticism]][</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Literary Criticism]][</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Drama Criticism]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Drama Criticism]]</div></td></tr> </table> Erlichrd https://www.clockworks2.org/wiki/index.php?title=Kubrick%27s_2001:_A_Triple_Allegory&diff=8012&oldid=prev Erlichrd at 02:49, 18 October 2017 2017-10-18T02:49:21Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 02:49, 18 October 2017</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Wheat, Leonard F.]]  ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Wheat, Leonard F.]]  ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on [[2001: A SPACE ODYSSEY (film)]], with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory,&quot;  &quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''<del class="diffchange diffchange-inline">[[</del>Childhood's End<del class="diffchange diffchange-inline">]]</del>'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''Lost Worlds of 2001'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''The Making of Kubrick's 2001''.  CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation. (RDE, 28/05/01)</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on [[2001: A SPACE ODYSSEY (film)]], with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory,&quot;  &quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''Childhood's End'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''Lost Worlds of 2001'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''The Making of Kubrick's 2001''.  CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation. (RDE, 28/05/01)</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Wheat, Leonard F.]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Wheat, Leonard F.]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Literary Criticism]][</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Literary Criticism]][</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Drama Criticism]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Drama Criticism]]</div></td></tr> </table> Erlichrd https://www.clockworks2.org/wiki/index.php?title=Kubrick%27s_2001:_A_Triple_Allegory&diff=8011&oldid=prev Erlichrd at 02:47, 18 October 2017 2017-10-18T02:47:49Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 02:47, 18 October 2017</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Wheat, Leonard F.]]  ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Wheat, Leonard F.]]  ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on <del class="diffchange diffchange-inline">the film (''</del>[[2001: A SPACE ODYSSEY (film)]]<del class="diffchange diffchange-inline">'')</del>, with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory,&quot;  &quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''[[Childhood's End]]'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''Lost Worlds of 2001'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''The Making of Kubrick's 2001''.  CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation. (RDE, 28/05/01)</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on [[2001: A SPACE ODYSSEY (film)]], with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory,&quot;  &quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''[[Childhood's End]]'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''Lost Worlds of 2001'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''The Making of Kubrick's 2001''.  CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation. (RDE, 28/05/01)</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Wheat, Leonard F.]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Wheat, Leonard F.]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Literary Criticism]][</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Literary Criticism]][</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Drama Criticism]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Drama Criticism]]</div></td></tr> </table> Erlichrd https://www.clockworks2.org/wiki/index.php?title=Kubrick%27s_2001:_A_Triple_Allegory&diff=8010&oldid=prev Erlichrd at 02:47, 18 October 2017 2017-10-18T02:47:07Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 02:47, 18 October 2017</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Wheat, Leonard F.]]  ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Wheat, Leonard F.]]  ''Kubrick's '2001': A Triple Allegory''.  Lanham, MD: Scarecrow P, 2000.  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on the film, with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory&quot; <del class="diffchange diffchange-inline">(''[[2001: A Space Odyssey]]''), </del>&quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''[[Childhood's End]]'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''Lost Worlds of 2001'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''The Making of Kubrick's 2001''.  CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation. (RDE, 28/05/01)</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Emphatically on the film <ins class="diffchange diffchange-inline">(''[[2001: A SPACE ODYSSEY (film)]]'')</ins>, with only minimal reference to Clarke's novel.  The three allegories are &quot;The Odysseus Allegory<ins class="diffchange diffchange-inline">,</ins>&quot; <ins class="diffchange diffchange-inline"> </ins>&quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot;  In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery.  Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]).  In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man.  CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book.  LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''[[Childhood's End]]'' (1953) and other works showing Clarke's combinations of hard science and mysticism.  LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''Lost Worlds of 2001'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''The Making of Kubrick's 2001''.  CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation. (RDE, 28/05/01)</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Wheat, Leonard F.]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Wheat, Leonard F.]]</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Literary Criticism]]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Literary <ins class="diffchange diffchange-inline">Criticism]][</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">[[Category: Drama </ins>Criticism]]</div></td></tr> </table> Erlichrd https://www.clockworks2.org/wiki/index.php?title=Kubrick%27s_2001:_A_Triple_Allegory&diff=1714&oldid=prev Fitzador at 23:38, 11 April 2007 2007-04-11T23:38:38Z <p></p> <p><b>New page</b></p><div>[[Wheat, Leonard F.]] ''Kubrick's '2001': A Triple Allegory''. Lanham, MD: Scarecrow P, 2000. <br /> <br /> Emphatically on the film, with only minimal reference to Clarke's novel. The three allegories are &quot;The Odysseus Allegory&quot; (''[[2001: A Space Odyssey]]''), &quot;The Man-Machine Symbiosis Allegory,&quot; and &quot;The Zarathustra Allegory.&quot; In the &quot;Man-Machine&quot; allegory, &quot;The next species (after man) to evolve is humanoid machines, symbolized by Hal-Discovery. Hal […] is the spaceship's brain and central nervous system, a remarkably humanoid computer; ''Discovery'' is the suspiciously skeletal spaceship in whose skull-like head Hal is ensconced&quot; (66 [although HAL's CPU is not in the section with artificial gravity—RDE]). In the Friedrich Nietzschean allegory, Hal-Discovery is God, made, as Nietzsche insists in ''Also Sprach Zarathustra'', by man in the image of man. CAUTION: ''Triple Allegory'' is a provocative and often useful study but also an ingenious—which is not a compliment—and eccentric book. LFW uses little of Clarke's canon and misses the relevance for ''2001'' of Clarke's ''[[Childhood's End]]'' (1953) and other works showing Clarke's combinations of hard science and mysticism. LFW also had the opportunity to read but may miss the significance of Clarke's log for the making of ''2001'' in his ''Lost Worlds of 2001'', and the ''Harvard Crimson'''s rev. of ''2001'' in J. Agel's ''The Making of Kubrick's 2001''. CAUTION: LFW missed or ignored Erlich's essay on ''2001'': &quot;Strange Odyssey: From Dart to Ardrey to Kubrick and Clarke,&quot; ''Extrapolation'' 17 (1976): 118-24, and Erlich wrote this citation. (RDE, 28/05/01)<br /> <br /> [[Category:Wheat, Leonard F.]]<br /> [[Category:Literary Criticism]]</div> Fitzador