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  • ...e at least through 2006 at http://www.users.muohio.edu/erlichrd/courseinsf/Neuromancer.html. ...an extensive "Word/Allusion List," "Rich Erlich On Plot, Story, World In ''Neuromancer''," excerpts from the critics, a word or two on cyberpunk/pomo, especially
    895 bytes (123 words) - 14:49, 22 March 2007
  • '''Gibson, William. ''Neuromancer''.''' New York: Ace, 1984. Introd. Terry Carr. [[Category: Fiction]] ...'s ''[[The Müller-Fokker Effect]]'' and the works cross-indexed there. The Neuromancer trilogy is important for positive containment (freedom to act) within compu
    3 KB (395 words) - 00:16, 13 August 2023
  • [[Gilzinger, Donald]]. "Approaching Neuromancer: Secondary Sources." [[SFRA Review]] #238 (February 1999):17-18. (Maly, 27/
    154 bytes (13 words) - 17:58, 11 August 2007
  • '''''William Gibson's Neuromancer: The Graphic Novel'', Vol 1. Tom De Haven and Bruce Jensen,''' adaptation a
    345 bytes (50 words) - 01:28, 28 October 2014
  • Hall, Hal. "Approaching <i>[[Neuromancer]]</i>: More Secondary Sources." ''SFRA Review'' #238 (February 1999): 19-24 A bibliographer by a major bibliographer for work on ''Neuromancer'' as of the end of the 20th century. For possible immediate access or downl
    552 bytes (76 words) - 00:21, 13 August 2023
  • [[Pringle, David]]. "Neuromancer by William Gibson (1984)." ''Science Fiction: The 100 Best Novels''. Davi Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]." (Maly, 01/07/02)
    316 bytes (35 words) - 21:00, 11 April 2007
  • '''Huntington, John. "Newness, ''Neuromancer'', and the End of Narrative."''' ''Fictional Space: Essays on Contemporary
    523 bytes (68 words) - 18:46, 12 October 2014
  • [[Wahl, Wendy]]. "Bodies and Technologies: ''Dora'', ''Neuromancer'', and Strategies of Resistance." ''Postmodern Culture'' 3.2 (January 1993 Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]". (Maly, 01/07/02)
    297 bytes (30 words) - 21:22, 11 April 2007
  • [[Ruddick, Nicholas]]. "Putting the Bits Together: Information Theory, Neuromancer and Science Fiction." ''Journal of the Fantastic in the Arts'' 3.4 (1994): Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]". (Maly, 01/07/02)
    325 bytes (36 words) - 21:08, 11 April 2007
  • [[Cherniavsky, Eva]]. "(En)gendering Cyberspace in Neuromancer: Postmodern Subjectivity and Virtual Motherhood." ''Genders'' 18 (Winter 1 Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]." (Maly, 01/07/02){{DEFAULTSORT:Engendering}}
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  • '''Porush, David. "Cybernauts in Cyberspace: William Gibson's ''Neuromancer''."''' ''Aliens: The Anthropology of Science Fiction''. George E. Slusser a ...68). See for both human robotization and "some lurking transcendence" in ''Neuromancer'' (176).
    653 bytes (85 words) - 18:46, 13 October 2014
  • '''Swanstrom, Lisa. "Landscape and Locodescription in William Gibson's ''Neuromancer''."''' ''Foundation: The International Review of Science Fiction'' #98, vol ...essay offers a brilliant close reading of the Moroccan beach sequence in ''Neuromancer'' chs. 20 and 21 (prepared for — Swanstrom demonstrates — in chs. 1 and
    4 KB (553 words) - 18:32, 31 July 2022
  • ...r.]] "The Sentimental Futurist: Cybernetics and Art in William Gibson's ''Neuromancer''." ''Critique'' 33.3 (Spring 1992): 221-40. ...istic technological transcendence" and concludes the summary with "Hence, Neuromancer expresses a sentimental futurism" (headnote to IC-R's "[[Antimancer: Cybern
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  • [[Grant, Glen]]. "Transcendence through Detournement in William Gibson's ''Neuromancer''." ''SFS'' #XX, 17.Y (March 1990). (RDE, 21/03/93)
    198 bytes (20 words) - 20:28, 11 April 2007

Page text matches

  • [[Wahl, Wendy]]. "Bodies and Technologies: ''Dora'', ''Neuromancer'', and Strategies of Resistance." ''Postmodern Culture'' 3.2 (January 1993 Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]". (Maly, 01/07/02)
    297 bytes (30 words) - 21:22, 11 April 2007
  • [[Ruddick, Nicholas]]. "Putting the Bits Together: Information Theory, Neuromancer and Science Fiction." ''Journal of the Fantastic in the Arts'' 3.4 (1994): Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]". (Maly, 01/07/02)
    325 bytes (36 words) - 21:08, 11 April 2007
  • ...e at least through 2006 at http://www.users.muohio.edu/erlichrd/courseinsf/Neuromancer.html. ...an extensive "Word/Allusion List," "Rich Erlich On Plot, Story, World In ''Neuromancer''," excerpts from the critics, a word or two on cyberpunk/pomo, especially
    895 bytes (123 words) - 14:49, 22 March 2007
  • [[Pringle, David]]. "Neuromancer by William Gibson (1984)." ''Science Fiction: The 100 Best Novels''. Davi Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]." (Maly, 01/07/02)
    316 bytes (35 words) - 21:00, 11 April 2007
  • '''Porush, David. "Cybernauts in Cyberspace: William Gibson's ''Neuromancer''."''' ''Aliens: The Anthropology of Science Fiction''. George E. Slusser a ...68). See for both human robotization and "some lurking transcendence" in ''Neuromancer'' (176).
    653 bytes (85 words) - 18:46, 13 October 2014
  • [[Cherniavsky, Eva]]. "(En)gendering Cyberspace in Neuromancer: Postmodern Subjectivity and Virtual Motherhood." ''Genders'' 18 (Winter 1 Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]." (Maly, 01/07/02){{DEFAULTSORT:Engendering}}
    336 bytes (33 words) - 01:30, 22 December 2014
  • Hall, Hal. "Approaching <i>[[Neuromancer]]</i>: More Secondary Sources." ''SFRA Review'' #238 (February 1999): 19-24 A bibliographer by a major bibliographer for work on ''Neuromancer'' as of the end of the 20th century. For possible immediate access or downl
    552 bytes (76 words) - 00:21, 13 August 2023
  • ...parently the products of the unification and disintegration of the AI of ''Neuromancer''. Note also image of the ultrarich Virek in a life-support vat[http://yin.
    620 bytes (88 words) - 01:35, 28 December 2018
  • ...r.]] "The Sentimental Futurist: Cybernetics and Art in William Gibson's ''Neuromancer''." ''Critique'' 33.3 (Spring 1992): 221-40. ...istic technological transcendence" and concludes the summary with "Hence, Neuromancer expresses a sentimental futurism" (headnote to IC-R's "[[Antimancer: Cybern
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  • ...t book of the '''Neuromancer''' "Sprawl" trilogy (see in this Category ''[[Neuromancer]]'' and ''[[Count Zero]]''). Ends romantic-comically, with a twist: the mar ..."the powerful AI computer programs which gained sentience at the end of ''Neuromancer'' and which [...] have taken control of the world-spanning cyberspace netwo
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  • [[Gilzinger, Donald]]. "Approaching Neuromancer: Secondary Sources." [[SFRA Review]] #238 (February 1999):17-18. (Maly, 27/
    154 bytes (13 words) - 17:58, 11 August 2007
  • ...challenging conceptualization" (287). Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]." (Maly/RDE, 02/07/02)
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  • ...Gibson's Neuromancer|"Landscape and Locodescription in William Gibson's ''Neuromancer'']]" (pp. 26-27).
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  • [[Grant, Glen]]. "Transcendence through Detournement in William Gibson's ''Neuromancer''." ''SFS'' #XX, 17.Y (March 1990). (RDE, 21/03/93)
    198 bytes (20 words) - 20:28, 11 April 2007
  • Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]". (Maly, 02/07/02)
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  • Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]." (Maly, 01/07/02)
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  • ...ancer]]'' and Stephenson's ''[[Snow Crash]]'' (under Fiction, ''C1'' for ''Neuromancer'', ''C2'' for ''Snow Crash''). Stypczynski suggests HS's setting up a conti
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  • '''Gibson, William. ''Neuromancer''.''' New York: Ace, 1984. Introd. Terry Carr. [[Category: Fiction]] ...'s ''[[The Müller-Fokker Effect]]'' and the works cross-indexed there. The Neuromancer trilogy is important for positive containment (freedom to act) within compu
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  • Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]". (Maly, 02/07/02)
    325 bytes (34 words) - 21:17, 11 April 2007
  • A [[Neuromancer|William Gibson]] kind of look at a situation where people interact more in ...ays, like a successor to William Gibson's ''[[Neuromancer]]'', but where ''Neuromancer'' was rooted in the disposable nihilism of the 1980's, ''Whiteout'' is infl
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  • ...ealistic hacker jargon. Features a cyberpunkish "run" in the manner of ''[[Neuromancer]]'' and a battle of the cyborgs, then a cyborg alliance.
    303 bytes (43 words) - 23:51, 3 January 2015
  • '''''William Gibson's Neuromancer: The Graphic Novel'', Vol 1. Tom De Haven and Bruce Jensen,''' adaptation a
    345 bytes (50 words) - 01:28, 28 October 2014
  • Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]". (Maly, 02/07/02){{DEFAULTSORT: King}}
    274 bytes (28 words) - 01:07, 23 December 2014
  • Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]". (Maly, 01/07/02)
    363 bytes (47 words) - 19:46, 11 April 2007
  • ...BR 1990:'' 488-89, source for this citation. Cf. and contrast W. Gibson, ''Neuromancer''. [[Category: Fiction]]
    340 bytes (51 words) - 19:51, 3 October 2014
  • Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]". (Maly, 02/07/02)
    310 bytes (32 words) - 20:50, 11 April 2007
  • ...l set in Brazil, similar in some ways to [[Gibson, William|W. Gibson]]'s ''Neuromancer'' series: with the "Wave" substituting for cyberspace, Yoruba gods for vood
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  • ...ing of technology among the cyberpunks (see this Category, W. Gibson's ''[[Neuromancer]]'', and the works cited there).[[Category: Fiction]]
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  • ...omments on cyberspace, the image of the wasps' nest, the opening line of ''Neuromancer'', and the ethical implications of the cyberpunk handling of technology and
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  • Deals with W. Gibson's Sprawl stories (see Gibson's ''Neuromancer'') and with the work of B. Sterling, primarily ''Islands in the Net''. To o
    364 bytes (51 words) - 01:17, 14 October 2014
  • ...w''); includes a critical defense of cyberpunk generally and W. Gibson's ''Neuromancer'' (q.v.) particularly.
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  • Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]". (Maly, 02/07/02)
    345 bytes (38 words) - 00:54, 23 December 2014
  • ...y deals at least cursorily with the other books in the Sprawl trilogy (''[[Neuromancer]]'', ''[[Count Zero]]'')[https://en.wikipedia.org/wiki/Sprawl_trilogy] and The Aleph figures in the grand cybernarrative continued from ''Neuromancer'' and ''Count Zero'' [...]; eventually several characters [...] will be dow
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  • '''Swanstrom, Lisa. "Landscape and Locodescription in William Gibson's ''Neuromancer''."''' ''Foundation: The International Review of Science Fiction'' #98, vol ...essay offers a brilliant close reading of the Moroccan beach sequence in ''Neuromancer'' chs. 20 and 21 (prepared for — Swanstrom demonstrates — in chs. 1 and
    4 KB (553 words) - 18:32, 31 July 2022
  • '''Huntington, John. "Newness, ''Neuromancer'', and the End of Narrative."''' ''Fictional Space: Essays on Contemporary
    523 bytes (68 words) - 18:46, 12 October 2014
  • ...ut "near-future technology of corporate data-control"; cf. W. Gibson's ''[[Neuromancer]]'' trilogy. Rev. Clark Carey, ''SFRA Newsletter'' #173 (Dec. 1989): 35-66,
    468 bytes (62 words) - 00:02, 12 August 2019
  • ...for W. Gibson's "New Rose Hotel," "Johnny Mnemonic," and (preeminently) ''Neuromancer''; see also for J. Brunner's ''Shockwave Rider'' and G. Bear's ''Blood Musi
    474 bytes (66 words) - 15:51, 14 October 2014
  • ...r "the corpus of SF" (288). Most relevant here for comments on W. Gibson's Neuromancer contrasted to older SF like A. C. Clarke's ''Childhood's End,'' plus cybers
    550 bytes (79 words) - 22:48, 13 October 2014
  • ...e ''[[Burning Chrome (story collection)|Burning Chrome]]'' collection, ''[[Neuromancer]]'' and ''[[Count Zero]]''. Rev. Michael M. Levy, ''SFRA Review'' #202 (De
    491 bytes (62 words) - 01:14, 22 December 2021
  • ...t a characterized character (unlike Wintermute-Neuromancer in Gibson's ''[[Neuromancer]]'' [q.v. under Fiction]), but it is the antagonist as Mulder and Skully, a
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  • ...types, and ethical issues handled with insight. As in William Gibson's ''[[Neuromancer]]'' series, there is drug use, mega-firms, "transcendent" entities in cyber ...arcia Marx as "a human/computer interface technology similar to Gibson's ''Neuromancer.''" (q.v.). Rev. ''SFRA Newsletter'' #180 (Sept. 1990): 37-38.
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  • ...o'' fails as a "penance" or "antimancer" to [[Gibson, William|Gibson]]'s ''Neuromancer'', because "Gibson's counterforce is too abstract and theoretical to affect ...sses a sentimental futurism [and ''Count Zero'' is a flawed "penance for ''Neuromancer''"]. (p. 63)
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  • ...1986]: 27. See for a Thought Universe similar to W. Gibson's cyberspace (''Neuromancer'' and related works) and F. Pohl's gigabit space (see Pohl's ''The Annals o
    475 bytes (73 words) - 16:29, 22 September 2014
  • ...igms while still being a futurist text. Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]." (Maly, 01/07/02){{DEFAULTSORT: Gibson Continuum ...kian paradigms[...]," and TAB takes seriously Westfahl's "sugestion that ''Neuromancer'' conceals a Gernsbackian machine," which is no less than "Gibson's much-di
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  • ...ompares TN, quite negatively, to S. R. Delany's ''Nova'' and W. Gibson's ''Neuromancer''—q.v. this Category. Rev. ''Foundation'' #40 (Summer 1987): see esp. 101
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  • ...und him as "the dance of biz, information interacting, data made flesh" (''Neuromancer 26) echoes Bianca O'Blivion's view of people as programmable and Max Reno's
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  • ...vid G. "Technological Transfiguration in William Gibson's Sprawl Novels: ''Neuromancer'', ''Count Zero'', and ''Mona Lisa Overdrive.''"''' ''Extrapolation'' 32.4
    807 bytes (104 words) - 16:49, 13 October 2014
  • ...The human-camera motif is expanded to the other senses in W. Gibson's ''[[Neuromancer]]'' series and is central to D. G. Compton's ''[[The Continuous Katherine M
    734 bytes (110 words) - 22:11, 5 January 2022
  • ...emonic claws with Molly Million's retractable razor-nails in W. Gibson's ''Neuromancer'' stories.[[Category: Drama]]
    629 bytes (86 words) - 01:42, 23 October 2017
  • Johnston discusses these themes in the cyberpunk novels ''[[Neuromancer]]'' and ''[[Synners]]'', by William Gibson and Pat Cadigan, respectively, a For ''Neuromancer'', note Johnston's discussion of data, flesh, and capital.
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  • ...acean with the dolphin from "Johnny Mnemonic," the precursor of 3Jane from Neuromancer and the bridge from Virtual Light (q.v. under Fiction). Pre-release coverag
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  • ...Also features "Mercy": a Max Headroom-like cyborg—and like Wintermute in ''Neuromancer''—that comes through on monitors and TV screens and at last appears as Ja
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  • A virtual compendium of clichés from ''Doctor Who,'' ''Neuromancer'', ROBOCOP, the Mad Max Trilogy, ''Max Headroom'', James Bond movies, ''Hil
    862 bytes (127 words) - 15:14, 19 October 2014
  • ...tion of what W. Gibson and others have called cyberspace (see Gibson's ''[[Neuromancer]]'' series under Fiction), and some variations on the theme of the android
    969 bytes (140 words) - 00:40, 2 January 2015
  • An old-fashioned but important essay on [[Gibson, William|Gibson]]'s ''[[Neuromancer]]'' series, relating cyberpunk to punk rock music, and relating both to myt
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  • ...oblem. For recorded personalities, see [[Gibson, William|W. Gibson]]'s ''[[Neuromancer]]'' series and [[Pohl, Frederik|F. Pohl]]'s "[[Day Million]]," ''[[Heechee
    1 KB (181 words) - 15:54, 8 March 2007
  • ...n hypermasculine cyborgs and console cowboys. In particular, points to ''[[Neuromancer]]'' and ''[[THE TERMINATOR|The Terminator]]'' to show that technofetishes d Although my analysis of cyberpunk focuses specifically on Neuromancer, it also applies to other cyberpunk texts that use similar technoerotic ima
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  • ...Wells's ''[[The Time Machine|Time Machine]]'' (1895), William Gibson's ''[[Neuromancer]]'' (1984), and Margaret Atwood's ''Oryx and Crake'' (2004) as paradigmatic ...on (p. 152). Changing Pordzik's terminology, we might say that Gibson in ''Neuromancer'' uses the motif of the Separable Soul in a narrative that works to deconst
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  • ...burns in the manner of cowboy runs in [[Gibson, William|W. Gibson]]'s ''[[Neuromancer]]'' series, high-tech surveillance and security, a "gigaconductor" as a tec
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  • ...d/or phenomena like telepathy. See for discussions of William Gibson's ''[[Neuromancer]]'', Pat Cadigan's ''[[Mindplayers]]'' and [[Synners]] — and note Sawyer
    1 KB (153 words) - 21:43, 1 March 2019
  • ...the Memory Bank]]," W. S. Davis, ''[[The NECEN Voyage]]'', W. Gibson's ''[[Neuromancer]]'' series—q.v., this Category; and, under Drama, [[TRON (1982)|TRON]], '
    925 bytes (134 words) - 23:52, 6 November 2023
  • ...the series develops (cf. "SimStim" in [[Gibson, William|W. Gibson]]'s ''[[Neuromancer]]'' series). Major opportunities for voyeurism. (RDE, 25/09/94)
    884 bytes (130 words) - 19:30, 22 August 2019
  • ...reatens to blur beyond recuperation" (in Latham, 44). Hollinger finds in ''Neuromancer'' Bruce "Sterling's post-humanism with a vengeance, a post-humanism which,
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  • ...(film 1979/80)]], and both simstim and cyberspace in William Gibson's ''[[Neuromancer]]'' trilogy.
    924 bytes (147 words) - 01:20, 3 January 2015
  • .... C. Clarke's ''2001'', q.v. this Category). See entries for W. Gibson's ''Neuromancer'' series, F. Pohl's "Day Million," J. Sladek's ''Müller-Fokker Effect'', a
    857 bytes (140 words) - 23:32, 2 October 2014
  • ...sed or ignored by critics focusing on the cyberpunk novels, particularly ''Neuromancer''. ''Burning Chrome'' contains every story Gibson had written or collabora
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  • ...d or ignored by critics focusing on the cyberpunk novels, particularly ''[[Neuromancer]]''. ''[[Burning Chrome (story collection)|Burning Chrome]]'' contains eve
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  • ...free-flying freedom in, e.g., the cyberspace of the classic cyberpunk ''[[Neuromancer]]'', here a cyberspace could be just one more — in a 20th-c. term — ra ...osed to the "meat" of the body has been a theme in much cyberpunk from ''[[Neuromancer]]'' through ''[[The Ware Tetralogy]]'' on — where the world(s) of cybersp
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  • ...n McLeod, Pat, Cadigan, Nancy Kress, with a close reading of W. Gibson's ''Neuromancer'' and David J. Skal's ''Antibodies'' (Hellekson 11). "The last chapter ...
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  • ...e]]'', I. Asimov's ''[[I, Robot (Asimov)|I, Robot]]'', and W. Gibson's ''[[Neuromancer]]''.
    1 KB (162 words) - 23:11, 9 June 2021
  • ...cyberspace in other cyberpunk literature, classically William Gibson's ''[[Neuromancer]]'', and cf. various kinds of cybernetically-mediated mind-melds and simila
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  • ...01: A SPACE ODYSSEY (film)|2001]]'' to [[Gibson, William|W. Gibson]]'s ''[[Neuromancer]]'' series. Central to SB's story is the interface between the humans on Lu
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  • ...pace, battlemechs™, the cyberspace caper (in the manner of W. Gibson's ''[[Neuromancer]]''), transformers and techno-morphing, virtual sex, and the superimpositio
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  • ...n its quieter moments, the film seems at least as serious as W. Gibson's ''Neuromancer'' (q.v. under Fiction) about issues of ethics and politics, raising the alw
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  • Reviewed by Rob Latham, "Cyberpunk = Gibson = ''Neuromancer''," ''SFS'' 20.2 (July 1993): 266-72. [https://www.depauw.edu/sfs/review_es
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  • ..., Samuel|S. Delany]]'s ''[[Triton]]'', [[Gibson, William|W. Gibson]]'s ''[[Neuromancer]]'' trilogy, and other works of interest, including a significant chapter o
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  • ...similar to that which W. Gibson was to later call "SimStim" (see e.g. ''[[Neuromancer]]''). Briefly summarized in V. Broege, "[[Technology and Sexuality in Scien
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  • ...IRCUIT]], and such cyberpunk novels as [[Gibson, William|W. Gibson]]'s ''[[Neuromancer]]'' trilogy. (RDE, 29/09/95){{DEFAULTSORT:Hacker and the Ants, The}}
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  • ...ideas of the sublime among the moderns. [[Gibson, William|Gibson]]'s ''[[Neuromancer]]'' trilogy is "the next step in this aesthetic evolution, not only filling
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  • ...ions of freedom and mobility in cyberspace in postmodern works such as ''[[Neuromancer]]'').
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  • ...on on the motif of The Separable Soul (cf. and contrast moving around in [[Neuromancer|cyberspace]]), and the motif of secular immortality: cf. and contrast stron
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  • ...W HOPE]] and [[BLADE RUNNER]] (q.v. under Drama), and William Gibson's ''[[Neuromancer]]'' (listed under Fiction).
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  • ...son uses the oxymoron to produce meaning in his cyborg discourse. See ''[[Neuromancer]]'', ''[[Count Zero]]'', ''[[Mona Lisa Overdrive]]''. (Maly, 27/06/02)
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  • ...— plus "cyberspace," but gets into the programming more than in, say, ''[[Neuromancer]]'' (1984) and many cyberpunk works. Note lines like "They killed my bots!"
    2 KB (250 words) - 01:16, 25 January 2023
  • ...it AI in, for an important example, the cyberspace of William Gibson's ''[[Neuromancer]]'' (1984).
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  • ...d in this section. The issue of humans and our bodies is raised in the ''[[Neuromancer]]'' series, and in in ''Idoru'' we have a young woman who wants to be a vir
    2 KB (337 words) - 00:47, 7 February 2007
  • ...machine" of W. Burrough's ''Soft Machine'' (SM 95) to the job of Case in ''Neuromancer'' (''EoC'' 192).
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  • ...works crosslisted under R. Heinlein's "[[Universe]]," and W. Gibson's ''[[Neuromancer]]'' series—all cited under Fiction. For a terrestrial archeology, see Niv
    1 KB (230 words) - 02:01, 6 January 2022
  • ...' for personality storage; for "cyberspace," see entry for W. Gibson's ''[[Neuromancer]]''. See under Literary Criticism the "[[The Heechee Series]]" entry by Cly
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  • ...lectrons and information." Under Fiction, cf. and contrast W. Gibson's ''[[Neuromancer]]'' for huge corporations, the 'Net, and constructs, and F. Pohl's ''[[Gate
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  • ...otagonist of W. Gibson's ''[[Neuromancer]]''?[http://en.wikipedia.org/wiki/Neuromancer#Characters]), which the ''Atlantic'' reviewer described as "two robots that
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  • ...ing played for comedy [... with] all the elements of cyberpunk that made ''Neuromancer'' great – a criminal group breaks into a wealthy family’s sanctuary and
    2 KB (288 words) - 23:41, 7 January 2021
  • ...of mutilation, of direct neural interface to universes of information -- [[Neuromancer|William Gibson]] pioneered this [cyberpunk] territory in the 80s. Throw in
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  • ...other plane” shaped real-life research and William Gibson’s influential [[Neuromancer]] (1984) led to research into the augmentation of human experience in cyber
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  • ...ncy, in the now-common military langague that makes [William Gibson's] ''[[Neuromancer]]'' sound like an out-of-date army filed manual. 'The ICT will significantl
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  • ...iences of the human. In this futuristic society of the spectacle" in the ''Neuromancer'' series (or "Sprawl" novels), "people depend on technology to mediate and
    2 KB (285 words) - 21:23, 28 June 2022
  • ...lm in what is now the tradition of cyberpunk, so note William Gibson's ''[[Neuromancer]]'' and its descendants in fiction, film, and other arts.
    2 KB (321 words) - 12:46, 7 April 2024
  • Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]". Cited and quoted approvingly in Heather J. Hick
    2 KB (315 words) - 01:51, 31 July 2023
  • ...a quick count with a lot of fast-forwarding, clichés from W. Gibson's ''[[Neuromancer]]'' and ''[[Count Zero]]'', and the films ALIEN(S), [[BLADE RUNNER]], the R
    2 KB (305 words) - 01:52, 31 December 2014
  • ...alysis of the rock of William Gibson, specifically his Sprawl trilogy: ''[[Neuromancer]]'', ''[[Count Zero]]'', and ''[[Mona Lisa Overdrive]]'' (Michaud, p. [65])
    2 KB (336 words) - 23:57, 23 December 2021
  • ...d by W. Gibson in the dance of Biz on the streets of the Sprawl in the ''[[Neuromancer]]'' series and, more problematically, embodying portions of the Eco-feminis
    2 KB (356 words) - 00:47, 28 August 2019
  • ...iam|W. Gibson]]'s use of technological metaphors for organic things in ''[[Neuromancer]]'', " a similar blurring of these two disparate realms.")
    2 KB (361 words) - 02:13, 18 August 2021
  • ...ues “the bodiless exultation of cyberspace,” who or what is left behind ([[Neuromancer|Gibson]] 6)? How is their relationship with the empirical world changed? [*
    3 KB (408 words) - 22:25, 2 November 2021
  • ...lison’s “[[I Have No Mouth, and I Must Scream]],” and William Gibson’s ''[[Neuromancer]]'', along with the movies [[2001: A SPACE ODYSSEY (film)|2001]] and ''[[TH
    3 KB (394 words) - 21:19, 14 June 2021
  • ...d contrast similar images in cyberspace at the end of William Gibson's ''[[Neuromancer]]'' and ''[[Count Zero]]'', and in the probable real-world of the/our futur
    3 KB (403 words) - 13:05, 17 August 2015
  • Cyberpunk novel, but gentler than Gibson's ''[[Neuromancer]]'' series, set in a near-future California, mostly in greater Los Angeles
    3 KB (382 words) - 23:59, 22 June 2022
  • ...and data-flow. Note (1) that the cyberspace of WG's "Sprawl" series — ''[[Neuromancer]]'' et al. — or even in ''[[Idoru]]'' has been replaced by more mundane m
    3 KB (418 words) - 22:07, 27 October 2022
  • ...t American writer to conceive of cyberspace," that was William Gibson, ''[[Neuromancer]]'' (1984), but "with the possible exception of Gibson, Stephenson is the f
    3 KB (392 words) - 19:15, 2 May 2019
  • ...ntrast the spacious cyberspace of [[TRON (1982)]] and William Gibson's ''[[Neuromancer]]'' series. Also relevant, the John Hughes SF/F comedy [[WEIRD SCIENCE]], t
    3 KB (405 words) - 00:15, 31 October 2023
  • • William Gibson's ''[[Neuromancer]]'' (also ''[[Count Zero]]'' and ''[[Mona Lisa Overdrive]]''
    3 KB (379 words) - 01:11, 5 November 2022
  • Such works as Bradbury's "[[The Veldt]]," Gibson's ''[[Neuromancer]]'', Mary Shelly's ''Frankenstein'' in Catherine Waldby’s “The Instrume
    3 KB (361 words) - 00:43, 24 July 2019
  • ...their development" (p. 30). Also see for Hayles on cyberspace and the ''[[Neuromancer]]'' trilogy, and for the films [[THE TERMINATOR]], [[ROBOCOP (1987)]], [[TH
    3 KB (414 words) - 20:30, 5 July 2019
  • ...o points out that both this passage and Gibson's introduction of Case in ''Neuromancer'' "refer to drug abuse, separation of body and mind, cyberspace, big corpor
    6 KB (924 words) - 22:31, 25 June 2022
  • ...bodiless exultation of cyberspace,” who or what is left behind (Gibson ''[[Neuromancer]]'' 6)? How is their relationship with the empirical world changed?[https:/
    3 KB (414 words) - 20:58, 23 December 2021
  • ...technology. But look at the women in mirrorshades - Molly in Gibson's ''[[Neuromancer]]'' (1984), Deadpan Allie in Cadigan's ''[[Mindplayers]]'' (1987), for inst
    3 KB (492 words) - 18:56, 4 July 2019
  • CAUTION (1): Even as ''[[Neuromancer]]'' helps establish a deep texture with product names and a kind of poetry
    3 KB (493 words) - 19:34, 15 May 2018
  • ...ment from reality in the wake of his father's violent abduction, and the [[Neuromancer|Gibsonesque]] finale suggests the self-sacrifice and potentially endless st
    3 KB (509 words) - 19:13, 15 September 2020
  • ...nnegut's ''[[Player Piano]]''; cyberspace vs. "meat" in cyberpunk from ''[[Neuromancer]]'' on; and the uploaded dead in "gigabyte space" in Frederik Pohl's [[The
    3 KB (448 words) - 20:28, 30 April 2023
  • Deals briefly with William Gibson's ''[[Neuromancer]]'' and the cyberpunk tradition of cyberspace and the possibility of (a sec
    3 KB (520 words) - 23:02, 22 July 2023
  • ...''[[The Windup Girl]]'', A. Huxley's ''[[Brave New World]]'', Gibson's ''[[Neuromancer]]'' series, and such films as [[THE TERMINATOR]] and [[THE MATRIX]].
    4 KB (537 words) - 01:47, 2 August 2021
  • ...porary forms of technology and cyberculture than they were when Gibson's ''Neuromancer'' was published in 1984." The editors divide the text into "sections on the
    4 KB (534 words) - 19:07, 8 November 2022
  • ...g with uploaded human personalities from classic cyberpunk such as the ''[[Neuromancer]]'' series (starting 1984) through Frederik Pohl's ''[[The Annals of the He
    4 KB (552 words) - 22:35, 23 July 2019
  • ...merican-based zaibatsu such as Google and Microsoft. So cf. as well as ''[[Neuromancer]]'' and its cyberpunk progeny such works as [[ROLLERBALL (1975)]] and Pohl
    4 KB (598 words) - 22:05, 6 June 2023
  • ...and a data port in his head" (p. 27). Cf. and contrast implants in the ''[[Neuromancer]]'' Sprawl series and elsewhere.[https://www.clockworks2.org/wiki/index.php
    4 KB (620 words) - 21:22, 7 August 2020
  • ...ggestion of its significance for SF from computer-takeover works through [[Neuromancer|Cyberpunk]] and recent debates on AI:
    5 KB (697 words) - 21:24, 10 May 2023
  • ...he material one, for which cf. and contrast such issues in W. Gibson's ''[[Neuromancer]]'' and Walter Mosley's [[Futureland: Nine Stories of an Imminent World|''F
    4 KB (680 words) - 17:19, 31 December 2021
  • ...|Forever War]]'' series; the Matrix in [[Gibson, William|W. Gibson]]'s ''[[Neuromancer]]'' series, [[THE MATRIX]] films (and other descendents).
    4 KB (583 words) - 23:10, 7 June 2017
  • ...human body. And in SF and the more fantastic genres can maneuver around [[Neuromancer|cyberspace]] — significant term — be [[The Müller-Fokker Effect|upload
    5 KB (841 words) - 18:08, 20 April 2023
  • ...ahrenheit 451]]'', [[THE LAWNMOWER MAN]], ''[[The Lathe of Heaven]]'', ''[[Neuromancer]]'', [[ROBOCOP (1987)]], and the various ''Star Trek'' series.
    6 KB (859 words) - 22:58, 29 May 2023
  • ...berspace more realistic — if less central and exciting — than, say, in ''[[Neuromancer]],'' ordinarily seen not within the virtual space but only as a means of co
    5 KB (847 words) - 19:30, 17 July 2021
  • ...Gibson has shown us so phenomenally well when he described cyberspace in ''Neuromancer'' (1984): science fiction can influence the mundane world; it just takes ti
    5 KB (822 words) - 21:22, 24 April 2021
  • ...]'' 4: 905-6. Meyers refers readers to [[Gibson, William|W. Gibson]]'s ''[[Neuromancer]]'' and B. Sterling's ''[[Islands in the Net]]'' and asserts that, where th
    5 KB (813 words) - 21:25, 27 July 2023
  • In a work like William Gibson's ''[[Neuromancer]]'', a cowboy-hacker's figurative flying around cyberspace is liberation. "
    5 KB (780 words) - 02:18, 27 December 2021
  • ...realworld still have their effects. Cf. and contrast e.g., W. Gibson's ''[[Neuromancer]]'' and his Sprawl series more generally, and the older, slow-motion debate
    6 KB (953 words) - 21:58, 13 June 2023
  • ...alt with ambivalently in William Gibson's Sprawl novels, starting with ''[[Neuromancer]]'', and with various attitudes in Greg Egan's ''[[Permutation City]]'' and
    6 KB (1,032 words) - 00:53, 12 March 2023
  • ...n a way that it is not in masculinist cyberpunk. In [William Gibson's] ''[[Neuromancer]]'', for example, Case moves through cyberspace as a disembodied gaze [...]
    6 KB (949 words) - 23:14, 16 May 2019
  • ...yberpunk]]" appeared in ''Amazing'' in November 1983; William Gibson's ''[[Neuromancer]]'' was published in 1984; ''[[Mirrorshades: The Cyberpunk Anthology]]'' ap
    8 KB (1,238 words) - 23:55, 14 October 2022
  • .../wiki/index.php?title=Special%3ASearch&search=cyberpunk&go=Go] such as ''[[Neuromancer]]'' and its progeny — plus high-tech surveillance as in ''[[The Circle (n
    8 KB (1,289 words) - 19:46, 31 July 2021
  • ...ory)]]" (1980 [composition] / 1983 [publication]) and William Gibson's ''[[Neuromancer]]'', there are various knowledge elites, most of them otherwise marginal (y
    9 KB (1,453 words) - 23:35, 26 March 2024
  • ...ys zipping through cyberspace in classic cyberpunk in the tradition of ''[[Neuromancer]]''.As pointed out in the Wikipedia article cited below, much of this debat
    9 KB (1,446 words) - 22:02, 27 August 2019
  • ...ch=AI&fulltext=Search] perhaps starting with such classic cyberpunk as ''[[Neuromancer]]'' or such computer-takeover dystopian fiction as the ''[[Colossus]]'' tri
    10 KB (1,518 words) - 16:08, 13 April 2024
  • ...berpunk&go=Go] Cyberspace hacking was more fun in the Romantic mode of ''[[Neuromancer]]'' et al. than the rather sordid real world.
    19 KB (3,017 words) - 19:37, 6 April 2024
  • ...264-65). Which segues into a mention of cyberpunk and William Gibson's ''[[Neuromancer]]'' (p. 267), nearly at the climax of the chapter.
    51 KB (7,872 words) - 23:54, 19 March 2022